The journal · August 2026

Where the fabrics come from.

Five Italian mills we return to, many more on the shelf, and our own house fabric collection. What that choice actually changes in a finished jacket.

A hand holding a button against navy suiting fabric
A button held against the fabric.

A jacket is decided before it is cut. It is decided at the swatch book.

The five we return to most are Loro Piana, Zegna, Drago, Fratelli Tallia di Delfino and Ariston, and there are many more on the shelf: English worsteds, Irish linens, Scottish flannels, and houses we open only when an order asks for them. We also have our own house fabric collection.

Why the mill matters more than the label

Two fabrics can carry the same fibre content and behave nothing alike. The difference is in the spin, the finish, and how much the mill is willing to lose in the process. A tightly spun worsted holds a crease through a Miami afternoon. A softer, open weave will drape better and crush faster. Neither is the right answer on its own. It depends on what you do all day.

The fabric has to survive the week you actually have, not the week in the photograph.

What we ask before we open a book

Where you will wear it. How you travel. Whether it hangs in a closet or lives in a carry-on. Whether the room is cold with air conditioning or open to the street. Those four answers eliminate most of the shelf, and what is left is a short conversation rather than a long one.

Weight, in Miami

Weight depends on what you need, starting around 200 grams, but most of what we use sits between 240 and 320 grams.

Come and handle them. That part does not translate to a screen.

Fittings at the showroom, your residence, your office or your hotel suite.

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